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David Janesko
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If I hold my breath maybe I can live forever.
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David Janesko
Projects
If I hold my breath maybe I can live forever.
Landscape Evolution
Peering to the Bottom of Creation
Boundary Between Living and Non-Living
Abiogenesis
Boundary Layer
Diffusion Gradient
Store
Contact
Bio
0
0
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If I hold my breath maybe I can live forever.
Landscape Evolution
Peering to the Bottom of Creation
Boundary Between Living and Non-Living
Abiogenesis
Boundary Layer
Diffusion Gradient
Store
Contact
Bio
All Work Haloid, Halobrome FF2, 1956, 3.5 X 5.5in, 14/500
3_5x5_5 Haloid-14.jpg Image 1 of
3_5x5_5 Haloid-14.jpg
3_5x5_5 Haloid-14.jpg

Haloid, Halobrome FF2, 1956, 3.5 X 5.5in, 14/500

Sale Price:$75.00 Original Price:$175.00
sale

Paper Type: Haloid, Halobrome FF2, 1956, 3.5 X 5.5in
Date Created: 2020
Series Position: 14/500

This piece was made by dipping a sheet of photographic paper into a mixture of black-and-white photochemistry and a plant based oil. As the mixture hits the paper, some areas are coated with oil and protected from the developer. The oil-protected areas remain white while the developed areas become dark.

Naming
While each piece is unique, they are named according to the manufacturer, paper grade or type, size and the “expiration” date followed by a number representing the sheet count in the box when I acquired it.


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Paper Type: Haloid, Halobrome FF2, 1956, 3.5 X 5.5in
Date Created: 2020
Series Position: 14/500

This piece was made by dipping a sheet of photographic paper into a mixture of black-and-white photochemistry and a plant based oil. As the mixture hits the paper, some areas are coated with oil and protected from the developer. The oil-protected areas remain white while the developed areas become dark.

Naming
While each piece is unique, they are named according to the manufacturer, paper grade or type, size and the “expiration” date followed by a number representing the sheet count in the box when I acquired it.


Paper Type: Haloid, Halobrome FF2, 1956, 3.5 X 5.5in
Date Created: 2020
Series Position: 14/500

This piece was made by dipping a sheet of photographic paper into a mixture of black-and-white photochemistry and a plant based oil. As the mixture hits the paper, some areas are coated with oil and protected from the developer. The oil-protected areas remain white while the developed areas become dark.

Naming
While each piece is unique, they are named according to the manufacturer, paper grade or type, size and the “expiration” date followed by a number representing the sheet count in the box when I acquired it.